![]() He also notes that Rue never officially acknowledged her relationship with Jules. Rue attempts to blame Jules for her relapse, but Ali points out that Rue had been saving the pills she ultimately used, suggesting that she was never serious about staying clean. Rue admits that she willingly relapsed with little hesitation Ali reminds her that addiction is a disease, and emphasizes the importance of committing to a cause greater than herself. Now and again, Domingo seemingly breaks the character of Ali, but never leaves the context of the scene he’s so thoroughly entwined with the fiction that his own truths are bleeding into it, and he manages to locate what’s both bleakly funny and achingly sad about their predicaments.On Christmas Eve, following her relapse, an intoxicated Rue sits at a diner with Ali to reflect on her addiction. Zendaya is excellent too at gradually unfurling the parts of herself she has kept most tightly bound and clenched, but Domingo, who was underused in the first season, dominates here with several riveting, minutes-long monologues that lay bare his entire backstory and philosophy. ![]() It contains multitudes despite nothing happening in it, and you could teach a seminar on actorly nuance based on Colman Domingo’s face alone. This is, and it can’t be stated insistently enough, a remarkable episode of television. They had to be pared down to almost nothing to let the truth amble, squinting and self-conscious, into the light of examination. In the same way as Rue’s arrogant posturing is a façade to hide her deep-seated existential terrors, the show’s stylistic flourishes are a distraction. The show’s creator, Sam Levinson, wrote this Euphoria special episode to live up to that distinction, to be special, and it achieves that by letting its guard down. “Trouble Don’t Last Always” strips all that artifice away, in part because it was shot and produced during a pandemic, but also because it wouldn’t have worked otherwise. Every color was gaudier, every angle sharper, every note harsher. It lived in an uncanny valley where everything was slightly too real rather than not quite real enough. I suspect much of the audience won’t be either.įor a while, before it coalesced into something more meaningful, Euphoria was an entirely sensory experience. The conversation lasts an hour, give or take, and then it ends, and you get the sense that neither of them will be quite the same for having had it. They needle cold pancakes with cheap cutlery, laugh and cry. In it, Rue (Zendaya) and her sponsor Ali (Colman Domingo) sit in a diner on Christmas Eve and just talk. A part of me expected “Trouble Don’t Last Always”, a Christmas special no less, to be all this and then some, where the only trees are the ones you smoke and the only baubles are the ones your eyes resemble afterward. ![]() It’s neon and smeared lipstick and the grainy phone footage of motel liaisons music too loud to hear the lyrics, mirrors too cracked to see their reflections. ![]() It’s about shots of liquor and lines of crushed pills and the worst impulses of oversexed teens writ large. You can check out our thoughts on the first season finale by clicking these words.Įuphoria is, at least to me, about excess and indulgence. ![]() This recap of the Euphoria special episode, “Trouble Don’t Last Always”, contains spoilers. A remarkable hour of television, “Trouble Don’t Last Always” strips Euphoria bare for a special episode in which Colman Domingo delivers the small-screen performance of the year. ![]()
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